Safeguarding and Cookie Policy

Safeguarding and Child Protection Policy

1.1   Introduction

Everyone who participates in dance at the Jean Griffiths Academy of Dance is entitled to do so in an enjoyable and safe environment.  The Jean Griffiths Academy of Dance has a moral and legal obligation to ensure that, when given responsibility for young people, teachers and volunteers provide them with the highest possible standard of care.


The Jean Griffiths Academy of Dance is committed to devising and implementing policies so that everyone accepts their responsibilities to safeguard children from harm and abuse.  This means following procedures to protect children and report any concerns about their welfare to appropriate authorities.


The aim of the policy is to promote good practice, providing children and young people with appropriate safety/protection whilst in the care of The Academy and to allow staff and volunteers to make informed and confident responses to specific child protection issues.


A child/young person is defined as a person under the age of 18 (Children’s Act 1989).


1.2   Policy Statement

The Jean Griffiths Academy of Dance is committed to the following:

  • The welfare of each child is paramount
  • All children, whatever their age, culture, ability, gender, language, racial origin, religious belief and/or sexual identity should be able to participate in various forms of dance in a fun and safe environment
  • Taking all reasonable steps to protect children from harm, discrimination and degrading treatment and to respect their rights, wishes and feelings
  • All suspicions and allegations of poor practice or abuse will be taken seriously and responded to swiftly and appropriately
  • All Jean Griffiths Academy of Dance employees that work with children will be recruited with regard to their suitability for that responsibility, and will be provided with guidance and/or training in good practice and child protection procedures
  • Working in partnership with parents and children is essential for the protection of children


1.3   Monitoring & Reviewing Policy and Procedures

The implementation of procedures should be regularly monitored and reviewed.


The Child Protection Officer should regularly report progress, challenges, difficulties, achievement gaps and areas where changes are required to the management team.


The policy should be reviewed every 3 years or whenever there is a major change in the organisation or in relevant legislation.

2   Promoting Good Practice
2.1   Introduction

To provide children with the best possible experience and opportunities in dance everyone must operate within an accepted ethical framework.

 It is not always easy to distinguish poor practice from abuse.  It is therefore NOT the responsibility of employees to make judgements about whether or not abuse is taking place.  It is however their responsibility to identify poor practice and possible abuse and act if they have concerns about the welfare of the child, as explained in section 4. 

 This section will help you identify what is meant by good practice and poor practice.

 2.2   Good Practice

All personnel should adhere to the following principles and action:

  • Always work in an open environment (e.g. avoiding private or unobserved situations and encouraging open communication with no secrets)
  • Make the experience of the Performing Arts fun and enjoyable: promote fairness, confront and deal with bullying
  • Treat all young people equally and with respect and dignity
  • Maintain a safe and appropriate distance with students (e.g. it is not appropriate for staff or volunteers to have an intimate relationship with a child or to share a room with them)
  • Avoid unnecessary physical contact with young people.  Where any form of manual/physical support is required it should be provided openly and with the consent of the young person.  Physical contact can be appropriate so long as it is neither intrusive nor disturbing and the young person’s consent has been given
  • Involve parents/carers wherever possible, e.g. where young people need to be supervised in changing rooms, encourage parents to take responsibility for their own child.  If groups have to be supervised in changing rooms always ensure parents, teachers, etc. work in pairs
  • Be an excellent role model, this includes not smoking or drinking alcohol in the company of young people
  • Always give enthusiastic and constructive feedback
  • Recognising the developmental needs and capacity of the young person and do not risk sacrificing welfare in a desire for organisational or personal achievements
  • Secure written parental consent for the Jean Griffiths Academy of Dance to act in loco parentis, to give permission for the administration of emergency first aid or other medical treatment if the need arises
  • Keep a written record of any injury that occurs, along with details of any treatment given

2.3   Poor Practice

The following are regarded as poor practice and should be avoided by all personnel:

  • Unnecessarily spending excessive amounts of time alone with young people away from others
  • Taking young people alone in a car on journeys, however short
  • Taking young people to your home where they will be alone with you
  • Sharing a room with a young person
  • Engaging in rough, physical or sexually provocative games, including horseplay
  • Allow or engage in inappropriate touching of any form
  • Allowing young people to use inappropriate language unchallenged
  • Making sexually suggestive comments to a young person, even in fun
  • Reducing a young person to tears as a form of control
  • Allow allegations made by a young person to go unchallenged, unrecorded or not acted upon
  • Do things of a personal nature that the young person can do for themselves


When a case arises where it is impractical/impossible to avoid certain situation e.g. transporting a young person in your car, the tasks should only be carried out with the full understanding and consent of the parent/carer and the young person involved.


If during your care you accidentally hurt a young person, the young person seems distressed in any manner, appears to be sexually aroused by your actions and/or if the young person misunderstands or misinterprets something you have done, report any such incidents as soon as possible to another colleague and make a written note of it.  Parents should also be informed of the incident.


2.4   Indicators of Abuse

Even for those experienced in working with child abuse, it is not always easy to recognise a situation where abuse may occur or has already taken place.  Most people are not experts in such recognition, but indications that a child is being abused may include one or more of the following:

  • Unexplained or suspicious injuries such as bruising, cuts or burns, particularly if situated on a part of the body not normally prone to such injuries
  • An injury for which an explanation seems inconsistent
  • The young person describes what appears to be an abusive act involving them
  • Another young person or adult expresses concern about the welfare of a young person
  • Unexplained changes in a young person’s behaviour e.g. Becoming very upset, quiet, withdrawn or displaying sudden outbursts of temper
  • Inappropriate sexual awareness
  • Engaging in sexually explicit behaviour
  • Distrust of adult’s, particularly those whom a close relationship would normally be expected
  • Difficulty in making friends
  • Being prevented from socialising with others
  • Displaying variations in eating patterns including over eating or loss of appetite
  • Losing weight for no apparent reason
  • Becoming increasingly dirty or unkempt

Signs of bullying include:

  • Behavioural changes such as reduced concentration and/or becoming withdrawn, clingy, depressed, tearful, emotionally up and down, reluctance to go to classes or performances
  • An unexplained drop off in performance
  • Physical signs such as stomach aches, headaches, difficulty in sleeping, bed wetting, scratching and bruising, damaged clothes, bingeing e.g. on food, alcohol or cigarettes
  • A shortage of money or frequents loss of possessions

It must be recognised that the above list is not exhaustive, but also that the presence of one or more of the indications is not proof that abuse is taking place.  It is NOT the responsibility of those working at Jean Griffiths Academy of Dance to decide that child abuse is occurring.  It is  their responsibility to act on any concerns.

3   Responding to Suspicions and Allegations
3.1   Introduction

It is not the responsibility of anyone working at Jean Griffiths Academy of Dance in a paid or unpaid capacity to decide whether or not child abuse has taken place.  However there is a responsibility to act on any concerns through contact with the appropriate authorities so that they can then make inquiries and take necessary action to protect the young person. 


This applies BOTH to allegations/suspicions of abuse occurring at Jean Griffiths Academy of Dance and to allegations/suspicions that abuse is taking place elsewhere.


This section explains how to respond to allegations/suspicions.


3.2   Receiving Evidence of Possible Abuse

We may become aware of possible abuse in various ways.  We may see it happening, we may suspect it happening because of signs such as those listed in section 3 of this document, it may be reported to us by someone else or directly by the young person affected.

In the last of these cases, it is particularly important to respond appropriately.  If a young person says or indicates that they are being abused, you should:

  • Stay calm so as not to frighten the young person
  • Reassure the child that they are not to blame and that it was right to tell
  • Listen to the child, showing that you are taking them seriously
  • Keep questions to a minimum so that there is a clear and accurate understanding of what has been said.  The law is very strict and child abuse cases have been dismissed where it is felt that the child has been led or words and ideas have been suggested during questioning.  Only ask questions to clarify
  • Inform the child that you have to inform other people about what they have told you.  Tell the child this is to help stop the abuse continuing.
  • Safety of the child is paramount.  If the child needs urgent medical attention call an ambulance, inform the doctors of the concern and ensure they are made aware that this is a child protection issue
  • Record all information
  • Report the incident to the Child Protection Officer

3.3     Recording Information

To ensure that information is as helpful as possible, a detailed record should always be made at the time of the disclosure/concern.  In recording you should confine yourself to the facts and distinguish what is your personal knowledge and what others have told you.  Do not include your own opinions.

Information should include the following:

  • The child’s name, age and date of birth
  • The child’s home address and telephone number
  • Whether or not the person making the report is expressing their concern or someone else’s
  • The nature of the allegation, including dates, times and any other relevant information
  • A description of any visible bruising or injury, location, size etc.  Also any indirect signs, such as behavioural changes
  • Details of witnesses to the incidents
  • The child’s account, if it can be given, of what has happened and how any bruising/injuries occurred
  • Have the parents been contacted?  If so what has been said?
  • Has anyone else been consulted?  If so record details
  • Has anyone been alleged to be the abuser?  Record detail


3.4   Reporting the Concern

All suspicions and allegations MUST be reported appropriately.  It is recognised that strong emotions can be aroused particularly in cases where sexual abuse is suspected or where there is misplaced loyalty to a colleague.  It is important to understand these feelings but not allow them to interfere with your judgement about any action to take.


The Jean Griffiths Academy of Dance expects its members and staff to discuss any concerns they may have about the welfare of a child immediately with the person in charge and subsequently to check that appropriate action has been taken.


If the Child Protection Officer is not available you should take responsibility and seek advice from the NSPCC helpline, the duty officer at your local social services department or the police.  Telephone numbers can be found in your local directory.


Where there is a complaint against an employee or volunteer, there may be three types of investigation.

  • Criminal in which case the police are immediately involved
  • Child protection in which case the social services (and possibly) the police will be involved
  • Disciplinary or misconduct in which case Jean Griffiths Academy of Dance will be involved
  • As mentioned previously in this document Jean Griffiths Academy of Dance are not child protection experts and it is not their responsibility to determine whether or not abuse has taken place.  All suspicions and allegations must be shared with professional agencies that are responsible for child protection.

Social services have a legal responsibility under The Children Act 1989 to investigate all child protection referrals by talking to the child and family (where appropriate), gathering information from other people who know the child and making inquiries jointly with the police.

NB:  If there is any doubt, you must report the incident: it may be just one of a series of other incidences which together cause concern

 Any suspicion that a child has been abused by an employee or a volunteer should be reported to the Child Protection Officer who will take appropriate steps to ensure the safety of the child in question and any other child who may be at risk.  This will include the following:

  • The Child Protection Officer will refer the matter to the social services department
  • The parent/carer of the child will be contacted as soon as possible following advice from the social services department
  • If the Child Protection Officer is the subject of the suspicion/allegation the report must be made to a Director of Amazing Activity Limited who will refer the matter to social services

Allegations of abuse are sometimes made sometime after the event.  Where such allegation is made, you should follow the same procedures and have the matter reported to social services.  This is because other children may be at risk from the alleged abuser.  Anyone who has a previous conviction for offences related to abuse against children is automatically excluded from working with children.


3.5   Concerns Outside The Immediate Dance Environment

  • Report your concerns to the Child Protection Officer
  • If the Child Protection Officer is not available, the person being told or discovering the abuse should contact their local social services department or the police immediately
  • Social Services and the Child Protection Officer will decide how to inform the parents/carers
  • Maintain confidentiality on a need to know basis


3.6   Confidentiality

Every effort should be made to ensure that confidentiality is maintained for all concerned.  Information should be handled and disseminated on a need to know basis only.  This includes the following people:

  • The Child Protection Officer
  • The parents of the child
  • The person making the allegation
  • Social Services/police
  • The alleged abuser (and parents if the alleged abuser is a child)

Seek social services advice on who should approach the alleged abuser.

All information should be stored in a secure place with limited access to designated people, in line with data protection laws.


3.7   Internal Inquiries and Suspension

The Jean Griffiths Academy of Dance will make an immediate decision about whether any individual accused of abuse should be temporarily suspended pending further police and social services inquiries.

Irrespective of the findings of the social services or police inquiries the Jean Griffiths Academy of Dance will assess all individual cases to decide whether a member of staff or volunteer can be reinstated and how this can be sensitively handled.  This may be a difficult decision; especially where there is insufficient evidence to uphold any action by the police. 

In such cases the Jean Griffiths Academy of Dance must reach a decision based upon the available information which could suggest that on the balance of probability, it is more likely than not that the allegation is true.  The welfare of the child should remain of paramount importance throughout.

4   Recruiting and Selecting Personnel with Children
4.1   Introduction

It is important that all reasonable steps are taken to prevent unsuitable people from working with children.  This applies equally to paid staff and volunteers, both full and part time.  To ensure unsuitable people are prevented from working with children the following steps should be taken when recruiting.

4.2   Controlling Access to Children

  • Consent should be obtained from the applicant to seek information from the Disclosure & Barring Service (DBS). 
  • Evidence of identity (passport or driving licence with photo)

4.3   Interview and Induction

All employees and volunteers should receive a formal or informal induction during which:

  • A check should be made on criminal records and self disclosures
  • Their qualifications should be substantiated
  • The job requirements and responsibilities should be clarified
  • Child Protection Procedures are explained and training needs identified e.g.  basic child protection awareness

4.4   Training

In addition to pre-selection checks, the safeguarding process includes training after recruitment to help staff and volunteers to:

  • Analyse their own practice against what is deemed good practice, and to ensure their practice is likely to protect them from false allegations
  • Recognise their responsibilities and report any concerns about suspected poor practice and/or abuse
  • Respond to concerns expressed by a child
  • Work safely and effectively with children

The designated person who co-ordinates safeguarding and child protection issues at THE JEAN GRIFFITHS ACADEMY OF DANCE is:

JEAN JOHNSON  (Child Protection Officer)

CAROLYNNE CROWDER deputises this role in the absence of Jean Johnson

This policy was adopted by

JEAN JOHNSON                            Date: 06/04/2022


CAROLYNNE CROWDER           Date: 06/04/2022

(Assistant Teacher)

Policy reviewed April 2022


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